For Handan, Hebei province, for example, he depicted an ancient story from the Warring States Period (475-221 BC). He drew the Twenty-Four Bridge over Slender West Lake for Yangzhou, Jiangsu province; pandas for Chengdu, Sichuan province; murals of Mogao Grottoes for Dunhuang, Gansu province; and the Temple of Heaven for Beijing.
"The biggest challenge is myself," said Pu, adding that during the time-consuming process, he had to overcome loneliness and inner-conflicts. "But I do feel happy that my works are acknowledged by many fans online."
Traditional Chinese city cultures are always worth passing on, he said.
Cultural Exchange
Shanghai tea salon in London brews cultural ties
Intangible Cultural Heritage
Chinese people at home and abroad bond together in ritual ceremony