In the former painting, Raphael painted himself with the Virgin Mary, the mother of Jesus, and Saint Luke the Evangelist, conveying a strong sense of purity and sanctity. Moreover, one can compare Raphael's self-portrait in this painting to another self-portrait of himself in a reproduction of the masterpiece, The School of Athens, on show.
The exhibition also unveils a panoramic view of the time Raphael grew from an apprentice to a prominent painter and architect. It displays documents of Raphael's architectural designs to tell the formation of aesthetics during the Italian Renaissance. It also gathers paintings by Raphael's contemporaries to provide a glimpse of the standards and philosophies to which painters at the time lived up to.
Cultural Exchange
Shanghai tea salon in London brews cultural ties
Intangible Cultural Heritage
Chinese people at home and abroad bond together in ritual ceremony